Annie Fischer
Annie Fischer was a Hungarian
classical pianist.
Biography
Fischer was born into a Jewish family in Budapest, and studied in that city at the Franz Liszt Academy of Music with Ernő Dohnányi. In 1933 she won the International Franz Liszt Piano Competition in her native city. Throughout her career she played mainly in Europe and Australia, but was seldom heard in the United States until late in her lifetime, giving only two concerts there by that time.She was married to influential critic and musicologist Aladar Toth ; she is buried next to him in Budapest.
Fischer fled with her husband to Sweden in 1940, after Hungary during World War II joined the Axis powers. After the war, in 1946, she and Toth returned to Budapest. She died there in 1995.
Her playing has been praised for its "characteristic intensity" and "effortless manner of phrasing", as well as its technical power and spiritual depth. She was greatly admired by such contemporaries as Otto Klemperer and Sviatoslav Richter; Richter wrote, "Annie Fischer is a great artist imbued with a spirit of greatness and genuine profundity." The Italian pianist Maurizio Pollini praised the "childlike simplicity, immediacy and wonder" he found in her playing. Her interpretations of Mozart, Beethoven, Brahms, Schubert and Schumann, as well as Hungarian composers like Béla Bartók continue to receive the highest praise from pianists and critics.
Fischer made significant studio recordings in the 1950s with Otto Klemperer and Wolfgang Sawallisch, but felt that any interpretation created in the absence of an audience would necessarily be artificially constricting, since no interpretation was ever "finished." Her legacy today thus includes many live concert recordings that have been released on CD and DVD. Her greatest legacy, however, is a studio-made integral set of the complete Beethoven piano sonatas. She worked on this set for 15 years beginning in 1977. A self-critical perfectionist, she did not allow the set to be released in her lifetime but, since her death, it has been released on compact disc and widely praised.
Recordings
Annie Fischer's recordings have been released by several major record companies, which include: BBC Records, Doremi, EMI Classics, Hungaroton, Orfeo, Palexa, Q Disc, Urania, Melodiya and ICA Classics.Beethoven">Ludwig van Beethoven">Beethoven
- Concerto No. 1 in C major, Op. 15
- Concerto No. 3 in C minor, Op. 37
- Concerto No. 5 in E flat major, Op. 73 "Emperor"
- Sonata No. 1 in F minor, Op. 2, No. 1
- Sonata No. 2 in A major, Op. 2, No. 2
- Sonata No. 3 in C major, Op. 2, No. 3
- Sonata No. 4 in E flat major, Op. 7
- Sonata No. 5 in C minor, Op. 10, No. 1
- Sonata No. 6 in F major, Op. 10, No. 2
- Sonata No. 7 in D major, Op. 10, No. 3
- Sonata No. 8 in C minor, Op. 13 "Pathétique"
- Sonata No. 9 in E major, Op. 14, No. 1
- Sonata No. 10 in G major, Op. 14, No. 2
- Sonata No. 11 in B flat major, Op. 22
- Sonata No. 12 in A flat major, Op. 26 "Funeral March"
- Sonata No. 13 in E flat major, Op. 27, No. 1 "Quasi una fantasia"
- Sonata No. 14 in C sharp minor, Op. 27, No. 2 "Moonlight"
- Sonata No. 15 in D major, Op. 28 "Pastoral"
- Sonata No. 16 in G major, Op. 31, No. 1
- Sonata No. 17 in D minor, Op. 31, No. 2 "Tempest"
- Sonata No. 18 in E flat major, Op. 31, No. 3
- Sonata No. 19 in G minor, Op. 49, No. 1
- Sonata No. 20 in G major, Op. 49, No. 2
- Sonata No. 21 in C major, Op. 53 "Waldstein"
- Sonata No. 22 in F major, Op. 54
- Sonata No. 23 in F minor, Op. 57 "Appassionata"
- Sonata No. 24 in F sharp major, Op. 78
- Sonata No. 25 in G major, Op. 79
- Sonata No. 26 in E flat major, Op. 81a "Les Adieux"
- Sonata No. 27 in E minor, Op. 90
- Sonata No. 28 in A major, Op. 101
- Sonata No. 29 in B flat major, Op. 106 "Hammerklavier"
- Sonata No. 30 in E major, Op. 109
- Sonata No. 31 in A flat major, Op. 110
- Sonata No. 32 in C minor, Op. 111
- Variations in C minor on an Original Theme, WoO 80
- Variations and Fugue in E major on an Original Theme 'Eroica', Op. 35
Mozart">Wolfgang Amadeus Mozart">Mozart
- Concerto No. 20 in D minor, K 466.
- Concerto No. 20 in D minor, K 466: 2nd movement, Romanze.
- Concerto No. 21 in C major, K 467
- Concerto No. 21 in C major, K 467: 2nd movement, Andante
- Concerto No. 22 in E flat major, K 482
- Concerto No. 22 in E flat major, K 482: 2nd movement, Andante
- Concerto No. 23 in A major, K 488: 2nd movement, Adagio
- Concerto No. 24 in C minor, K 491
- Concerto No. 27 in B flat major, K. 595
- Prelude and Fugue in C major, K 394
- Rondo for Piano and Orchestra in D major, K 382
- Sonata No. 10 in C major, K 330
- Sonata No. 12 in F major, K 332
- Sonata No. 14 in C minor, K 457
Schumann">Robert Schumann">Schumann
- Carnaval, Op. 9
- Concerto in A minor, Op. 54
- Kinderszenen, Op. 15
- Kreisleriana, Op. 16
- Fantasia in C major, Op. 17
Bartók">Béla Bartók">Bartók
- Concerto No. 3, Sz 119
- Hungarian Peasant Songs for Piano, Sz 71
- Romanian Folk Dances
- Allegro Barbaro
Liszt">Franz Liszt">Liszt
- Concert Etudes, S 144: No. 3 in D flat major, Un sospiro
- Concerto No. 1 in E flat major, S 124
- Grandes Etudes de Paganini, S 141: No. 6 in A minor, Quasi Presto
- Sonata in B minor, S 178
- Hungarian Rhapsody No.14
Schubert">Franz Schubert">Schubert
- Impromptus, D 935/Op. 142: No. 1 in F minor
- Impromptus, D 935/Op. 142: No. 2 in A flat major
- Impromptus, D 935/Op. 142: No. 3 in B flat major
- Impromptus, D 935/Op. 142: No. 4 in F minor
- Sonata in A major, D 959
- Sonata in B flat major, D 960
Chopin">Frédéric Chopin">Chopin
- Concerto No. 1 in E minor, B 53/Op. 11
- Ballade No. 1 in G minor op. 23
- Scherzo No. 3 in C sharp minor, B 125/Op. 39
Bach">Johann Sebastian Bach">Bach
- Brandenburg Concerto No. 5 in D major, BWV 1050
Brahms">Johannes Brahms">Brahms
- Sonata No. 3 in F minor, Op. 5
Dohnányi">Ernő Dohnányi">Dohnányi
- Rhapsodies, Op. 11: No. 2 in F sharp minor
Haydn">Joseph Haydn">Haydn
- Andante with Variations in F minor, H 17 No. 6
Kodály">Zoltán Kodály">Kodály
- Dances of Marosszék
- Lingering Song
Mendelssohn">Felix Mendelssohn">Mendelssohn
- Rondo capriccioso in E major, Op. 14
- Scherzo in E minor, Op. 16 No. 2