Anne Berthelot is an Agrégation de Lettres classiques since 1980, and a graduate of the École normale supérieure. She obtained the Doctorate#France from Paris-Sorbonne University in 1982, with her dissertation entitled L'Enchanteur et le Livre, ou le savoir de Merlin. Then she pursued a Doctor of Letters at Paris-Sorbonne University in 1987, with the research work Figures et fonction de l'écrivain au XIIIᵉ siècle under the direction of the Romanist and Medievalist. She is a specialist in the proseromances of the 13th century, she is particularly interested in the problems of enunciation and specialises in Arthurian Literature with a comparative approach, she has written numerous books and articles on these subjects. She helped to edit the Lancelot-Graal and prepared a study of Merlin in the literature of England, France and Germany from the 12th to the 15th centuries.The historical origins of the Arthurian legend are lost in the mists of time: Roman Britain, Sarmatians, Picts or the Saxon kings? Who were Arthur's contemporaries? Archaeological findings in Wales, Cornwall and Scotland suggest the possible existence of this legendary figure. Arthurian legend is central to Anglo-Saxon culture, and by the 12th century King Arthur and his kingdom had become a national myth, elaborated by English and French writers. It owes its existence in literature to an Anglo-French rivalry: Henry II of England, for establishing his legitimacy, had the story of an Anglo-Saxon hero written that was destined to be a counterpart to Charlemagne. Thus was born the legend of Arthur. During the Middle Ages, Arthur became the absolute model of a knight, herald of courtly values and defender of Christendom. Between myth and history, Anne Berthelot manages to unravel the threads of this great legend in a small but lavishly illustrated volume—Arthur et la Table ronde : La force d'une légende —published by Éditions Gallimard as the 298th volume in their Littérature series for the "Découvertes" collection. The book contains a huge number of colour illustrations taken from medieval illuminated manuscripts, 16th and 19th-century engravings, Pre-Raphaelite paintings and other sources. It opens with a series of reproductions of Julia Margaret Cameron's photographic illustrations for Idylls of the King—a cycle of twelve narrative poems by Alfred Tennyson—which retells the legend of King Arthur. The body text is divided into five chapters: I, "The Historical Context" ; II, "The Creation of a Legend" ; III, "The Life of Arthur" ; IV, "Feudalism and Chivalry" ; V, "An Extraordinary Literary Flowering". The following "Documents" section in British edition—which is reformulated by Thames & Hudson—contains a compilation of excerpts which is divided into six chapters: 1, Arthur in 12th-century literature; 2, Arthur in the Middle Ages; 3, The Round Table and the Holy Grail; 4, Arthur in the 19th and 20th centuries; 5, In the footsteps of King Arthur; 6, King Arthur in the cinema. The original French version has seven chapters in this section and the contents are slightly different. At the end of the book are further reading, list of illustrations and index. It has been translated into American and British English, Japanese, Korean and Polish.
Selected bibliography
Le Chevalierà la charette, Le Chevalier au lion : résumé analytique, commentaire critique, documents complémentaires, Nathan, 1991
Arthur et la Table ronde : La force d'une légende, collection « Découvertes Gallimard », série Littératures. Éditions Gallimard, 1996
* UK edition – King Arthur: Chivalry and Legend, 'New Horizons' series. Thames & Hudson, 1997
* US edition – King Arthur and the Knights of the Round Table, "Abrams Discoveries" series. Harry N. Abrams, 1997
Le roman courtois : Une introduction, Armand Colin, 2005