Anila Quayyum Agha is a Pakistani–American cross-disciplinary artist. Agha explores social and gender roles, global politics, cultural multiplicity, and mass media within drawing, painting, and large-scale installations. In 2014, Agha's piece 'Intersections' won the international art competition, Artprize, twice over with the Public Vote Grand Prize and the Juried Grand Prize in a tie with Sonya Clark, the first time in Artprize's history.
Agha's experiences living within the boundaries of different faiths and cultures such as Islam and Christianity and Pakistan and the United States, has deeply influenced her art. Through her work she explores cultural and social issues that affect women in patriarchal societies along with the immigrant experience of alienation and transience.
Academic
In 2008 Agha moved to Indianapolis to teach at Herron School of Art, where she is currently the Associate Professor of Drawing.
Arts
Drawing and painting
Working from her background in textile and fabric art and design, Agha uses a combination of textile processes such as embroidery, wax, dyes, and silk-screen printing within her drawings and paintings. She creates patterns based on ancient Islamic geometric patterns and Islamic interlace patterns through hand cutting, laser cutting, and sewing on paper. She uses embroidery as a drawing method to bridge the gap between modern materials and historical patterns of traditional oppression and domestic servitude. She questions the gendering of textile work as domesticated and its exclusion of it being considered an art form.
Installation
In 2013 Agha started to explore working with light and shadow, in her piece 'Intersections', a 6.5' laser-cut wood cube encasing a light bulb, she pushed the binaries of public and private, light and shadow, and static and dynamic by relying on the symmetry of geometric design and the interpretation of the cast shadows. The walls of the cube showcase Moorish patterns inspired from the Alhambra,a place where Islamic and Christian worlds intersect. Growing up as a girl in Pakistan, Agha was not allowed to visit the mosques because of her gender. It was from these memories of exclusion and of visiting the Alhambra that Agha started to think about all the problems that arise because of exclusion and wanted to create something that would include all, regardless of race, gender, and ethnicity.
Awards and recognition
Agha's work has been exhibited in solo and group shows across the US and in countries as far reaching as United Arab Emirates, India, and Spain. She is currently being represented by in New York City and Talley Dunn Gallery, Dallas, TX. Along with winning Artprize Agha has also been the recipient of other awards such as the Efroymson Arts Fellowship , an IAHI grant, the Cincinnati Art Museum’s 2017 Schiele Prize, and the Sculptors and Painters Grant in 2019 from the Joan Mitchell Foundation
Collections
Anila Quayyum Agha's work is included in the following selected collections:
