Anabel (Brazilian TV series) Anabel is a Brazilian flash animated series created by Lancast Mota and produced by Sergio Martinelli. It was the first Brazilian animated series on Nickelodeon Brazil when it debuted on February 26 , 2005 in the channel's Nick Patrol program. As of 2006 the show was exclusive to the channel TV Rá-Tim-Bum , where the second season premiered on February 5 , 2011. The show also runs on TV Brasil . A comic strip adaptation also ran in the children's magazine Recreio .Premise Set in the 1930s, the show revolves on a girl named Anabel, who lives with her unnamed parents in the city of Porto Alegre . She goes to school by riding the city's tramcars. Anabel also travels to fantastical and supernatural adventures from literary novels , encountering monsters and creatures. She also solves mysteries and stops dangers in the city . The second season introduced the character Ulisses, who travels with Anabel in some episodes.Characters Anabel – The 7-year-old protagonist of the show. She enjoys listening to radio dramas and reading fiction books from many authors including Edgar Allan Poe . She's named after the titular figure in Poe's poem "Annabel Lee." Anabel's parents – The protagonist's unnamed parents. The father is a pharmacist and the mother is a history teacher . Ulisses – Anabel's best friend , who is overweight. His work and help to his friend sometimes fail. Theo - A magical crow and friend of Anabel and Ulysses. He is able to create gates to other worlds. Inspetor Carangueijo – A detective based in Porto Alegre. He and Anabel cooperate to track down a toy thief in the episode "O Homem Fornalha."Production Lancast Mota devised and developed the concept of Anabel in the 1990s . He picked the 1930s as the time setting of the series due to its distinctive popular culture field placed apart from electronic-driven media of the present day , which includes television and video games . Mota and his team wanted the show to take advantage of creative elements not widely utilized in other animated works, including but not limited to strong literary themes and a lack of violence. Mota also avoided cliches seen in such other animated works, such as a "villain who wants to take over the world ." The team made the protagonist motivated by non-visual media such as books and radio, which was prevalent in the 1930s. The show was financed by the Rouanet Law and TV Cultura in 2000.
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