Ambalavasi


Ambalavasi is a generic name for a group of castes among Hindus in Kerala, India, who render temple services. Some Ambalavasi castes are patrilineal, while the others are matrilineal. Those that practise matrilineality share many cultural similarities with the Nair caste. Their ritual rank in Hinduism lies somewhere between the Brahmin castes and the Nairs.

Castes

The Ambalavasis are broadly divided into two groups, being those who wear the sacred thread and those who do not.

Sacred thread wearers

Pushpaka Brahmins

The feminine names of threadless ambalavasi castes are formed by adding the suffix -syar to the masculine names as Adi-Adisyar, Pisharadi-Pisharasyar, Marar-Marasyar, Variar-Varasyar, Poduval-Poduvalsyar.

Temple services

Though all Ampalavāsis have to do service in temples, they have sufficiently distinct functions to perform. Pushpakans and Nambeesans are teachers in the Pathasalas or Mutts and suppliers of flowers to temple. Chakyar stages drama. Marar serves as temple musician. Variar and Poduval did managerial and executive functions of temple committees and served as storekeepers

Kazhakams

Kazhakams or Ambalakkazhakams refer to associations of ambalavasi peoples in a temple to perform specific duties in the temple.

Temple arts

Traditionally, Ambalavasis are associated with various types of temple arts. Earlier, each of these temple arts were performed only by specific Ambalavasi castes. Now there is no community or caste barrier.
Temple ArtAssociated
Ambalavasi castes
KoodiyattamChakyar, Pushpakan Unni
KoothChakyar, Nangyar
Certain roles of KrishnanattamNambeesan or Pushpaka Unni
Mizhavu Nambiar
Kuzhithalam Nangyar
ThullalNambiar
TheeyattuTheeyatt Unni, Thiyyadi Nambiar
PathakamNambiar
Vadyams like
Chenda, Idakka, Udukku etc.
Marar
PanchavadyamMarar
SopanasangeethamMarar, Pothuval
BrahmanippattuBrahmani

Temple types

They lived in villages either where the land was owned solely by one Nambudiri Brahmin family or where the land was owned by a temple, the running of which was in the control of a group of Nambudiri families. The latter villages were called sanketams.
The temples in which they worked comprised four basic types: