Alice Jane Muskett was an Australian-born artist and author. It is believed her picture of puritans illustrating her poem, The Pillory was the first illustration by a woman to be published in The Bulletin.
Early life and education
Alice Jane Muskett, born in Fitzroy, Victoria, was one of two children of English born parents, bookseller, Charles Muskett and his wife Phoebe, nee Charlwood Phoebe maintained the family business after her husband's death in 1873 until 1885 when she took Alice to Sydney to join Philip who had become a successful medical practitioner. Alice Muskett was one of the first students of the influential Sydney Art School established by Julian Ashton in 1890. He established Sydney's first life-class for women and Alice was his second pupil. Ashton three portraits of Muskett. His 1893 portrait in oils of Alice in class with a white dress, and the portrait 'The Coral Necklet' are in the Art Gallery of New South Wales.
Career as an artist
Muskett exhibited each year from 1890, first with the Art Society of New South Wales and then from 1895 with the Society of Artists, Sydney, her paintings reproduced in its catalogues. Muskett then went on to study in Paris at the Académie Colarossi for several years between 1895-1898 during which time she exhibited at the Salon de la Société des Artistes Français. Her exhibits included Violets and Old Letters and The Red Ribbon, a 'remarkably strong’ pastel of a dark-haired young girl. The 1898 Exhibition of Australian Art in London included her work. 'Study of Roses' and 'In Cumberland Street' were bought by the Art Gallery of New South Wales, before the latter was transferred to the State Library of NSW in 1920. 'In Cumberland Street' showed the artist’s versatility in painting views portraying an idealised scene of city life in an area better known as a Sydney slum. David Henry Souter, founder and president of the Society of Artists, Sydney, referred to Alice Muskett as ‘probably the most talented of our women painters' in 1909. She shared a studio with Florence Rodway in Sydney in the years immediately prior to World War 1, involved in the Society of Women Painters.
Career as a writer
After Muskett’s career as an artist had been established she began writing verse and short stories published in a range of newspapers in particular, The Sydney Mail, The Lone Hand and The Bulletin. Using the pseudonym, 'Jane Laker’, her maternal grandmother’s name, she wrote a semi-autobiographical feminist novel set in Sydney in 1913, Among the Reeds. Taking the form of an intimate journal by a fictitious diarist over the period of the year. Dramatising women’s conflicts over marriage and career it is notable for being an early feminist piece of writing.
