Alfred John West


Alfred John West was a British award-winning marine photographer in the Gosport firm of G. West and Sons from 1881 and from 1897 at the age of 40, a pioneer cinematographer. He was then active in both roles until 1913 when he sold his copyright in negative plates of yachting studies to of Cowes, and his stock of positive moving film in 1916 to a distributor, James Joseph Bennell, proprietor of: , in Glasgow On the closure of the business, the film stock was then sold onwards to the 'Argosy Film Co. Ltd' in 1917 a company also registered at 81 Dunlop Street on 2 August 1917 which was in film business through the 1920's but was liquidated in 1930, the business passing to 'Audible Filmcraft' which was itself wound up in 1931. It is believed that the positive film stock was transferred from West to B.B. Hiring without completing the purchase.
West confirms in his that he sold the film hire business to a Glasgow distributor to be paid for over several years but that he '... kept the negatives' . However he was never paid and the bulk of the film stock cannot now be traced. A few tantalising clips remain as does in the British Library of all the moving film he created under the 'Our Navy' brand. Some potential clips have been located in the British Film Institute's online collection and those found so far are listed on the . The stock of AJ West's negative plates was sold to Beken of Cowes in 1913 and is now being prepared for sale as a complete archive of yachting prints by . West's plates are said to be numbered from 500 to 10250 in the Beken/Brett archive. Alfred West died in 1937 and is buried at Portsmouth in Hampshire .

Business

From c. 1880 Alfred John West worked alongside his brothers and sisters in his father George West's photographic business 'G West and Son' at 97 High Street in Gosport Hants and later at 72 and 84 Palmerston Road Southsea. He became a nationally and internationally famous marine photographer, winning many national and international medals for his studies of yachts in full sail. His portrait of the 'Mohawk' winning at the Royal Southampton Yacht Club Regatta in 1888 was awarded the gold medal at the St. Louis Convention USA for which 9 other countries competed.
In 1897 he converted to the newly developed 'moving' film and by 1898, his personal cinematographic business 'Our Navy' based in an annexe called 'The Anchorage' at his home 'Rozel' 7 Villiers Road Southsea, had a full-time staff of 50. In 1902 he formally registered the name 'Our Navy' under Limited Company number 72532 '.
Alfred West's cinematographic activity from 1897 was in exhibiting films related to Naval, and later Military, Empire and Yachting subjects under the general title of 'Our Navy'. The shows were presented in halls and later in purpose-built cinemas across the UK and the British Empire.
The London home of 'Our Navy' was the ''', which still houses one of London's first purpose-built cinema halls, the Regent Street Cinema. The Lumiere Brothers gave the first ever public film show of moving pictures in the United Kingdom on 21 February 1896 in the hall.. 'Our Navy' also exhibited at The Crystal Palace and the in the Mile End Road.

Photographic methods

Alfred J West invented his own shutter and stabilising devices and mounted his heavy dry plate camera in the well of a sailing yawl. This was manoeuvred by his boatman under the lee of large racing yachts to obtain the best shots of these heavily-canvassed vessels at full speed.
In 1898, during the early period of Cinematographic technical development, his employee James Adams was granted a patent for "Improvements in and relating to cameras and projecting Apparatus for Kinematograph Pictures" by the UK Patent Office.

Photographing the ''Turbinia''

In 1897, Alfred J West obtained photographs of the Turbinia steam yacht travelling at full speed at the Royal Fleet Review. He was subsequently invited by Charles Algernon Parsons to film and photograph the vessel in the Tyne and the pictures captured remain the defining image of Turbinia at speed. Sir Charles Parsons is believed to the person standing in the conning tower in this picture. None of the moving pictures have survived.
West writes in his 1936 autobiography as follows:
Subsequently, West's 'Our Navy' made regular use of this shot in its publicity and brochures, and the moving pictures of the vessel were frequently shown as part of the performances and referred to specifically in the promotional material associated with the shows as ' Turbinia... showing the effects of foam etc '.

Royal Command Performances – 1898 and 1901

In 1898, Alfred J West embarked with his staff member Chief Petty Office Thomas McGregor as ship's photographer and cinematographer on the three-month cruise of, commanded by The Duke of York. On its return to port, he gave a Royal Command Performance of the material to Queen Victoria at Osborne House in the isle of Wight. The Duke of York wrote a short review of the performance in his diary for 27 August 1898 "After dinner West showed his animated photographs & McGregor the photos he took on bd. The 'Crescent' on a screen, very well done"

A second Royal Command performance showing 'animated photographs' was given to Edward VII, his family and Estate staff on 9 November 1901 at Sandringham. The film shown at that presentation was taken by Alfred West's assistant, Chief Petty Officer McGregor, who had been taken on board as official photographer for 'Our Navy' for the world cruise of the converted liner 'Ophir'. The cruise was undertaken by The Prince of Wales and his family. Although West wrote proudly in his unpublished autobiography that the event was successful and involved ministers of state and other guests, the Prince of Wales wrote about this occasion on 10 November 1901 saying: "Afterwards West and McGregor showed the cinematograph photographs, taken by the latter, during our tour in the Colonies in the ball room, all the tenants & servants came, they were interesting but not very successful.".

Trafalgar centenary 1905

At the culminating Albert Hall celebrations on 21 October 1905, Alfred West showed a programme of patriotic and nautical films. The Times of London reported on 20 October: "... Mr Alfred West, well known for admirable kinematographic shows of a naval character, will give a novel one, illustrating the reception of the French Fleet". The show also featured a sequence of a very old seaman who had served with Admiral Hyde-Parker accompanied by a petty officer from the Royal Naval Barracks and two boys from the Royal Seamen and Marines’ Orphanage. The action took place on the quarterdeck of, the elderly seaman showing a young boy the features of the ship – the ship's wheel, the memorial plaque 'Here Nelson Fell' and culminating in the laying of a wreath. survives as one of the extant film clips of 'Our Navy'.

Ephemera collections

Much work was done by the late twin brothers John and William Barnes, film historians, in tracking down and collecting ephemera related to Alfred West, 'Our Navy' and the G. West and Son precursor business. This is held for posterity in the Barnes Collection at Hove Museum and Art Gallery. Some material not yet deposited and catalogued is held privately.
Books of press cuttings collected from South Coast newspaper libraries by West's grandson, Antony Scott Clover, are held in the family, as are some facsimile copies of ephemeral material and prints of yachting plates.
in a numbered series were produced to accompany the 'Our Navy' presentations and these were widely circulated and are still collected by specialists.
'Spot' promotional material included slips of paper promoting the show which were enclosed in a blue wrapper to give the appearance of medical 'powders' often taken for headache and other ailments. Hundreds of these were placed in public places awaiting discovery.

Extant film clips

The few clips that are still extant of West's film are held as originals in the BFI National Archive and are curated by the at Winchester, Hants.
They can also be on the 'Our Navy' Website
The following titles are listed at the Internet Movie Database. It is not yet known who has compiled the list or from what source, but the titles listed are convincing:
These entries may relate to extant clips preserved from the period, or they may simply have been copied from a contemporary catalogue.