Alexandra Pierce Alexandra Pierce is an American composer, pianist, music theorist, movement educator, author, and Emerita Research Professor of Music and Movement at the University of Redlands .Biography Born and raised in Philadelphia, her family later moved to Washington, D.C., where she studied piano with contemporary music specialist, Margaret Tolson. She received a Bachelor of Music , Phi Beta Kappa , from the University of Michigan , where she majored in piano performance and medieval history; a Master of Music in piano performance from the New England Conservatory of Music ; a Master of Arts in music history from Harvard University ; and a Ph.D. in music theory and composition from Brandeis University , where her teachers included composers Irving Fine and Harold Shapero . Her dissertation, written at Brandeis, is entitled The Analysis of Rhythm in Tonal Music. Pierce taught from 1968–2001 at the University of Redlands, where she was Professor of Music and Movement, and where she integrated movement research with the teaching of music theory, piano, and with her own composing. Prior to her arrival in Redlands, she taught at MIT and Antioch College. Her book, Deepening Musical Performance through Movement: The Theory and Practice of Embodied Interpretation , was published in 2007. She and Roger Pierce have co-authored two books on enhancing human movement: Expressive Movement: Posture and Action in Daily Life, Sports, and the Performing Arts and Generous Movement . Her music is published by Subito Music, as well as by Sisra Publications, Media Press, and Hildegard Music.Selected works Symphonies Short Suite Overture Dances On The Face Of the Deep, Symphony No. 2 String quartets Outcrops and Upshots, String Quartet No. 2 Four Movements for String QuartetWinds Flute Dark Zephyrs, flute and piano Tributaries, flute and piano Escaped Exotics, solo flute A Common Chase, flute and marimba Clarinet 7 Line Drawings, solo B-flat clarinet After Dubuffet’s ‘Limbour as a Crustacean,’ B-flat clarinet and percussion Job 22:28, for two B-flat clarinets Buffalo Bill, for B-flat clarinet, friend, and tape Three Pieces for B-flat Clarinet and Piano Sargasso Norwich Chorale Arabesque Oboe, English horn, alto saxophone Song and Dance , oboe and piano Suite for English Horn and Piano , arr. for Alto Saxophone and Piano Set of Three, oboe and piano Calliope Dances, oboe and piano French horn, tuba, mixed chamber winds Bible Bestiary, tuba and speaker Dialogues for Horn and Cello Never No Summer, Two Movements for Five Winds, flute, oboe, clarinet, bass clarinet , trombone Percussion Moretti Music, vibraphone Traces in Movement, violin, piano, and percussion Calypso of Ogygie, marimba After Dubuffet’s ‘Limbour as a Crustacean,’ B-flat clarinet and percussion Fool’s Gold, vibraphone The Great Horned Owl , 4-1/2 octave marimba ''Piano Capriccio and Rhapsody Intimations, Suite for Piano Rings of Saturn Upslope, Suite for Piano Keener’s Way Four Done Deals ‘the spirits that lend strength are invisible’ Mixed Nocturne & Toccata Heart of the Beast Ballad and Ostinato The Lost River , Sevier Transverse Process Sweeney among the Nightingales and Danse MicawberPrepared piano Seven Waltzes for Emily Dickinson Popo Agie Six Sentient Waltzes . Variations 7 Dry Rot Blending Stumps Orb Spectres Greycastle Strings (guitar, harp, violin, violoncello) Guitar Serenade Harp Caryatid II Caryatid I Maola Violin Set of Six , three movements for violin and percussion, three for violin solo Traces in Movement, percussion, violin, and piano Violin and viola A Red, Red Rose , duo for violin and viola on a poem of Robert Burns ''My LuvCello Landforms, three movements for solo cello Dialogues for Horn and Cello Cambodian Dancer, cello and piano Voice, solo Bible Bestiary: Sparrow & Cockroach, speaker and tuba Psalm 100 , soprano and piano Three Songs on Poems by Christina Rossetti and Emily Dickinson, high voice and piano; low voice and harp Barbr’y Allen, low voice and piano; freely based on the traditional text and tune Seven Settings of Poems by William Blake , from Songs of Experience and Songs of Innocence), unaccompanied voice Spring and Fall: To a Young Child, low voice and piano Books Books by Alexandra Pierce Deepening Musical Performance through Movement: the Theory and Practice of Embodied Interpretation According to WorldCat, the book is held in 373 libraries Spanning: Essays on Music Theory, Performance and Movement Books by Alexandra Pierce and Roger Pierce Expressive Movement: Posture and Action in Daily Life, Sports and the Performing Arts > According to WorldCat, the book is held in 2823 libraries Generous Movement, a Practical Guide to Balance in Action
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