Acquanetta, nicknamed "The Venezuelan Volcano," was an American B-movie actress during the 1940s and 1950s. Acquanetta was most known for her "exotic" beauty.
Early years
The facts of Acquanetta's origins are not known with certainty. Although accounts differ, Acquanetta claimed she was born Burnu Acquanetta, meaning "Burning Fire/Deep Water", in Ozone, Wyoming. Orphaned from her Arapaho parents when she was two, she lived briefly with another family before being taken in by an artistic couple with whom she remained until she made the choice to live independently at the age of fifteen. Other accounts suggest her ethnicity was African American; her career was followed closely by the African American press. In 1942, LIFE magazine noted her mysterious origins, but reported that she had lived with a Spanish family in Spanish Harlem posing as a Venezuelan before moving to Mexico, then Venezuela to obtain citizenship. The article suggests that the Arapaho orphan story was invented because she was unable to produce any identification for the Screen Actors Guild. According to the 1940 US Census, she had five siblings, including a sister, Kathryn Davenport, and a brother, Horace Davenport, who was, according to the Pennsylvania Bar Association, "the first African-American judge in Montgomery County."
Film career
Acquanetta started her career as a model in New York City with Harry Conover and John Robert Powers. She signed with Universal Studios in 1942 and acted mostly in B-movies, including Arabian Nights, The Sword of Monte Cristo, Captive Wild Woman and Jungle Woman, in which Universal attempted to create a female monster movie series with Acquanetta as a transformative ape. After her contract with Universal expired, Acquanetta signed on with Monogram Pictures but did not appear in any movies; she then signed with RKO where she acted in her only big-budget movie, Tarzan and the Leopard Woman.
Personal life
In 1947, Acquanetta and "Mexican-Jewish millionaire" Luciano Baschuk had a son, Sergei, who died of cancer in 1952 at age five, after the couple's bitter divorce in 1950, where she lost her suit for half his fortune when no record of their marriage could be produced. In 1950, Acquanetta married painter and illustrator Henry Clive, who was 40 years her senior, and returned to acting. The couple were divorced in 1953. That same year she retired from films and became a disk jockey for radio station KPOL in Los Angeles. By 1955 she had married Jack Ross, a car dealer who later ran for governor of Arizona in 1970 and 1974. The couple settled in Mesa, Arizona, and she returned to a degree of celebrity by appearing with Ross in his local television advertisements, and also by hosting a local television show called Acqua's Corner that accompanied the Friday late-night movies. The couple were prominent citizens, donating to the Phoenix Symphony and the construction of Mesa Lutheran Hospital and founding Stagebrush Theatre. She and Ross had four sons together, Lance, Tom, Jack Jr. and Rex, before divorcing in the early 1980s. In 1987, Acquanetta sold the Mesa Grande ruins to the city of Mesa. An apocryphal Phoenix legend has Acquanetta, upon learning of her husband's infidelity, filling the interior of his Lincoln Continental convertible with concrete. Acquanetta also wrote a book of poetry, published in 1974, titled The Audible Silence. She did not smoke, and did not drink alcohol, tea, or coffee. In 1987, the all-female bandThe Aquanettas adopted their name from hers. Acquanetta succumbed to complications of Alzheimer's disease on August 16, 2004, at Hawthorn Court in Ahwatukee, Arizona. She was 83. Acquanetta's obituary inspired the composer Michael Gordon to collaborate with librettist Deborah Artman on the opera, Acquanetta. Produced by Beth Morrison Projects, the chamber version received its world premiere at the Prototype Festival in Brooklyn, NY, in January, 2018.
Opera
Acquanetta, based on her life, premiered as a Grand Opera in 2006 in Aachen, Germany. The chamber version of Acquanetta had its world premiere at the 2018 Prototype Festival, followed by a subsequent run at Bard SummerScape in 2019.
