Academy of Comic Book Arts
The Academy of Comic Book Arts was an American professional organization of the 1970s that was designed to be the comic book industry analog of such groups as the Academy of Motion Picture Arts and Sciences. Composed of comic-book professionals and initially formed as an honorary society focused on discussing the comic-book craft and hosting an annual awards banquet, the ACBA evolved into an advocacy organization focused on creators' rights.
The ACBA award, the [|Shazam], was a statuette in the shape of a lightning bolt. In addition to the creative awards, the ACBA also established the Academy of Comic Book Arts Hall of Fame award, inducting Superman creators Jerry Siegel and Joe Shuster as its initial honorees.
History
Founded in 1970, the ACBA's first president was Stan Lee; its first vice-president was Dick Giordano. The ACBA met monthly at the Manhattan headquarters of the Society of Illustrators.The Academy's Shazam Award was a successor to the 1960s Alley Award; the ACBA held its first annual awards banquet at the Statler Hilton Hotel's Terrace Ballroom on May 12, 1971.
Aside from its Shazam Awards, the ACBA also published an annual fundraiser sketchbook. Contributing to the 36-page ACBA Sketchbook 1973 were Neal Adams, Sergio Aragones, Frank Brunner, Howard Chaykin, Dave Cockrum, Reed Crandall, Frank Frazetta, Michael Kaluta, Gil Kane, Gray Morrow, John Romita Sr., Mike Royer, Syd Shores, Jim Starlin, Jim Steranko, Herb Trimpe, and Wally Wood. The 48-page ACBA Sketchbook 1975 included Adams, Aragones, Chaykin, Kaluta, Kane, Romita Sr., Steranko, Wood, and John Byrne, Russ Heath, Jeff Jones, Harvey Kurtzman, Walt Simonson, Michael Whelan, and Berni Wrightson. Wood also contributed to the 1976 and 1977 sketchbooks.
Under its later president, artist Neal Adams, the ACBA became an advocacy organization for creators' rights. The comic-book industry at that time typically did not return artists' physical artwork after shooting the requisite film for printing, and in some cases destroyed the artwork to prevent unauthorized reprints. The industry also did not then offer royalties or residuals, common in such creative fields as book publishing, film and television, and the recording industry.
Historian Jon B. Cooke writes:
Adams wanted to focus on creator rights and pay rates, essentially making the ACBA a labor union. In a 1998 interview, Lee said, "ACBA became divided into two camps, it seemed. I wasn't interested in starting a union, so I walked away from it."
Once the ACBA — riding a wave begun by the mid-'70s independent startup Atlas/Seaboard Comics, which instituted royalties and the return of artwork in order to attract creators — helped see those immediate goals achieved, it then gradually disbanded.
As writer Steven Grant notes, by 1977 the ACBA had "... disintegrated into what became Adams' "First Friday" professional get-togethers at his studio or apartment."
Irene Vartanoff was the final ACBA treasurer. In early 2005, approximately $3,000 in sketchbook sales plus general contributions to the ACBA and accumulated interest was donated from the ACBA's Bill Everett Fund — created in 1975 to help comics professionals in financial need — to The Hero Initiative, a federally chartered, not-for-profit corporation likewise dedicated.
Legacy
The ACBA was the first in a string of largely unsuccessful comics-industry organizations that includes the Comic Book Creators Guild, the Comic Book Professionals Association, and Comic Artists, Retailers and Publishers. The long-running exception had been the publishers' group the Comic Magazine Association of America, founded in 1954 and lasting through 2011, as a response to public pressure and a Senate subcommittee on juvenile delinquency, and which created the self-censorship board the Comics Code Authority.Grant summed up the ABCA's legacy this way:
Shazam Award
The Shazam Award was a series of awards given between 1970 and 1975 for outstanding achievement in the comic book field. Awards were given in the year following publication of the material. The Shazam awards were based on nominations and were the first comics awards voted upon by industry professionals. The name of the award is that of the magic word used by the original Captain Marvel, a popular superhero of the 1940s and early 1950s.1970
; Winners. Presented May 12, 1971.- Best Letterer: Sam Rosen
- Best Colorist: Jack Adler
- Best Story: "No Evil Shall Escape My Sight" by Dennis O'Neil & Neal Adams, Green Lantern/Green Arrow #76
- Outstanding Achievement by an Individual: Jim Steranko
- Best Foreign Title: Legionarios del Espacio
- Best New Talent: Barry Smith
- Best Humor Inker: Henry Scarpelli
- Best Humor Penciller: Bob Oksner
- Best Humor Writer: Carl Barks, Junior Woodchucks
- Best Continuing Feature: Green Lantern/Green Arrow
- Special Recognition outside the Field: Nostalgia Press
- Best Drama Inker: Dick Giordano
- Best Drama Penciller: Neal Adams
- Best Drama Writer: Dennis O'Neil
- Hall of Fame: Jerry Siegel & Joe Shuster
- Special Plaque: Stan Lee
1971
- Best Continuing Feature: Conan the Barbarian
- Best Individual Story: "Snowbirds Don't Fly" by Dennis O'Neil & Neal Adams, Green Lantern/Green Arrow #85
- Best Writer : Roy Thomas
- Best Penciller : Neal Adams
- Best Inker : Dick Giordano
- Best Writer : John Albano
- Best Penciller : Dan DeCarlo
- Best Inker : Henry Scarpelli
- Best Letterer: Gaspar Saladino
- Best Colorist: Tatjana Wood
- Best Foreign Artist: Frank Bellamy
- Outstanding New Talent: Michael Kaluta, Richard Corben
- Special Recognition: Gil Kane, "for Blackmark, his paperback comics novel"
- Special Achievement by an Individual: Jack Kirby, "for his Fourth World series in Forever People, New Gods, Mister Miracle, Superman's Pal Jimmy Olsen"
- Hall of Fame: Will Eisner
1972
- Best Continuing Feature: n.a.
- Best Individual Story : "Dark Genesis" by Len Wein & Berni Wrightson, Swamp Thing #1.
- Best Individual Short Story : "The Demon Within" by John Albano & Jim Aparo, House of Mystery #201
- Best Writer : Len Wein, Swamp Thing
- Best Penciller : Berni Wrightson, Swamp Thing
- Best Inker : n.a.
- Best Humor Story: "The Poster Plague" by Steve Skeates & Sergio Aragones, House of Mystery #202
- Best Writer : n.a.
- Best Penciller : n.a.
- Best Inker : Sergio Aragones, Mad''
- Best Letterer: n.a.
- Best Colorist: n.a.
- Best Foreign Artist: n.a.
- Outstanding New Talent: n.a.
- Special Award: DC letterer/proofreader Gerda Gattel "for bringing her special warmth to our history"
- Superior Achievement by an Individual: Julius Schwartz "for bringing the Shazam Family back into print"
- Hall of Fame: n.a.
1973
- Best Continuing Feature: Swamp Thing
- Best Individual Story : "Song of Red Sonja" by Roy Thomas & Barry Smith, Conan the Barbarian #24
- Best Individual Short Story : "The Himalayan Incident" by Archie Goodwin & Walt Simonson, Detective Comics #437
- Best Writer : Archie Goodwin
- Best Penciller : Berni Wrightson
- Best Inker : Dick Giordano
- Best Humor Story: "The Gourmet", Plop! #1
- Best Writer : Stu Schwartzberg; Steve Skeates
- Best Penciller : Marie Severin
- Best Inker : Ralph Reese
- Best Letterer: Gaspar Saladino
- Best Colorist: Glynis Wein
- Best Foreign Comic Series: Lieutenant Blueberry
- Outstanding New Talent: Walt Simonson; Jim Starlin
- Superior Achievement by an Individual: Richard Corben
- Hall of Fame: Carl Barks
1974
- Best Continuing Feature: Conan the Barbarian
- Best Individual Story : "Götterdämmerung" by Archie Goodwin & Walt Simonson, Detective Comics #443
- Best Individual Short Story : "Cathedral Perilous" by Archie Goodwin & Walt Simonson, Detective Comics #441
- Best Writer : Archie Goodwin
- Best Penciller : John Buscema
- Best Inker : Dick Giordano
- Best Humor Story: "Kaspar the Dead Baby" by Marv Wolfman & Marie Severin Crazy #8
- Best Writer : Steve Skeates
- Best Penciller : Marie Severin
- Best Inker : Ralph Reese
- Best Letterer: John Costanza
- Best Colorist: Tatjana Wood
- Outstanding New Talent: Craig Russell
- Superior Achievement by an Individual: Roy Thomas
- Hall of Fame: Jack Kirby