A Taxi Driver


A Taxi Driver is a 2017 South Korean historical action
drama film directed by Jang Hoon and written by Eom Yu-na, with Song Kang-ho starring in the title role, alongside Thomas Kretschmann.
Based on a real-life story, the film centers on a taxi driver from Seoul who unintentionally becomes involved in the events of the Gwangju Uprising in 1980. It is based on German journalist Jürgen Hinzpeter's interactions with driver Kim Sa-bok; however, as Kim's identity and real name were unknown at the time the film was made, most elements regarding his life and the events that happened to him outside of Gwangju are fictional.
The film was released on August 2, 2017, in South Korea. It was very positively received by critics, who praised its unique approach to depicting the Gwangju Uprising events, emotional weight, as well as the main character and his relationship with Hinzpeter, and was selected as the South Korean entry for the Best Foreign Language Film at the 90th Academy Awards. The film was a notable commercial success: it was the second highest grossing film of 2017 in South Korea, and currently stands as the twelfth highest-grossing South Korean film in history.

Plot

In 1980, Kim Man-seob is a widowed father who works as a taxi driver in Seoul. One day, he overhears another taxi driver talking about a foreign client who has booked him for a trip worth 100,000 won ; the client intends to travel to Gwangju for the day and return to Seoul before curfew. Man-seob rushes off to steal the client.
The client is Jürgen "Peter" Hinzpeter, a West German journalist who wishes to report on the increasing civil unrest in Gwangju. Due to strict censorship, foreign reporters are prohibited from entering the country. Peter pretends to be a missionary in order to enter South Korea. Man-seob meets Peter and lures him into his taxi before heading off to Gwangju.
The two men discover that all the roads leading to Gwangju are blocked and heavily guarded by soldiers. Man-seob tries to convince Peter that they should return to Seoul, but the latter refuses to pay the 100,000 won unless they reach Gwangju. They manage to enter the city after they lie about Peter being a businessman. In Gwangju, they find that all the shops are closed and the streets are deserted. Man-Seob dismisses the severity of the city's state as he believes that the recent riots were caused by students who only "go to school to protest" in part due to the news reporting misinformation. Peter begins to record his observations on his camera, and the two men meet a group of college students who are riding on a pickup truck. The leader of the group, Yong-pyo, invites Peter aboard. They also befriend English-speaking student, Jae-sik. Man-seob decides to turn back, reluctant to have his taxi damaged in the riots. Along the way, he takes pity on an old woman looking for her son and she leads him to the local hospital. The woman's son turns out to be Yong-pyo, who is in the hospital with minor injuries. Peter and the college students scold Man-seob for his selfishness and refuse to let Peter pay him until he fulfills the agreed trip.
Man-seob agrees to take Peter and Jae-sik through Gwangju. Local protesters welcome the foreign reporter and greet the trio with food and gifts. Peter films violent riots and witnesses soldiers beating protesters. Plainclothed Defense Security Command officers see him filming and move to arrest him. The three men evade capture. That evening, Man-seob's taxi breaks down and they are met by Tae-soo, one of the local taxi drivers. Tae-soo tows the taxi to his shop for overnight repair. Man-seob becomes distressed as his young daughter is home alone and he is unable to contact her as Gwangju's phone lines have been cut. Tae-soo lets the men stay at his house for the night.
During dinner, they hear an explosion and discover that the television station has been bombed. They head there and Peter films the turmoil. The officers recognize Peter and chase the three men; Jae-sik is captured, but before he is taken away, he yells for Peter to share the footage with the world. Man-seob is assaulted by the leader of the DSC, who accuses the driver of being a communist. Peter rescues Man-seob and the pair run back to Tae-soo's house.
At dawn, Tae-soo gives Man-seob fake Gwangju license plates as the soldiers are now searching for a Seoul taxi. Alone, Man-seob drives to the nearby town of Suncheon, where he overhears reports of the events in Gwangju; the media falsely claims that the chaos was caused by "rogue groups and rioters". He is overwhelmed with guilt and drives back to the hospital in Gwangju to find Peter in shock and Tae-soo crying over Jae-sik's corpse. He reminds Peter of his promise to show the world what is happening in South Korea and encourages him to continue filming.
They film a street where soldiers are mercilessly shooting at civilians. Man-seob and the other taxi drivers use their vehicles to barricade the soldiers from further harming the civilians. The soldiers continue shooting, and the two men arrive at a road blocked by soldiers. Man-seob states that he is taking a foreign businessman away from the turmoil. A young soldier searches the car and finds the license plates from Seoul. However, he remains silent on the discovery and lets them go. The soldiers then receive orders not to let any foreigners out, prompting them to chase the duo and shoot at them.
The pair are rescued by the local taxi drivers, who ram into the military vehicles to distract the soldiers. The taxi drivers are presumably killed in the chase, and Tae-soo ultimately sacrifices himself to allow Man-seob and Peter to escape. The two men make it to the airport, where they bid each other an emotional farewell. Peter asks Man-seob for his name and phone number as he wishes to return to South Korea to visit. Man-seob hesitates but then writes his name and phone number in Peter's notebook. Peter leaves the country safely.
Peter shares the footage with his superiors and the news is spread all over the world. He searches for "Kim Sa-bok", only to be told that the latter had provided a false name and phone number. In Seoul, Man-seob happily reunites with his daughter.
23 years later, Peter receives an award in South Korea for his report on the Gwangju Uprising. In his speech, he expresses his gratitude to "Kim Sa-bok" and hopes to see him again someday. Man-seob, still a taxi driver, reads a newspaper article about Peter's speech and achievements including his words of gratitude towards him. Man-seob then murmurs that he is more grateful to Peter and that he misses him too.
The epilogue states that Peter tried to search for the taxi driver who took him through Gwangju, but he died in 2016 before they could meet again. The film ends with footage of the real Peter, who gives his thanks to "Kim Sa-bok".

Cast

Main

Filming began on June 5, 2016, and ended on October 24, 2016.

Release

The film was released on August 2, 2017 in South Korea. On the same day, the film had its international premiere at the Fantasia International Film Festival in Montreal, where Song Kang-ho was named Best Actor for his role in the film.
According to distributor Showbox, the film will be released in North America on August 11, Australia and New Zealand on August 24, followed by the UK on August 25. It will then open in Asian countries including Hong Kong, Taiwan and Japan in September.

Reception

Positive reviews

A Taxi Driver received positive reviews upon its release. The review aggregation website Rotten Tomatoes gives the film an approval rating of 96% based on 26 reviews, with an average rating of 7.3/10. The website's critical consensus reads "A Taxi Driver brings a ground-level perspective and a refreshingly light touch to a fact-based story with sobering implications." On Metacritic, which assigns a normalized rating based on reviews, the film has a score of 69 out of 100, based on 7 critics, indicating "generally favorable reviews".
Sohing Yi Chan of OFF SCREEN pointed out A Taxi Driver “as a film depicting a historical trauma”, let the international audience, especially those who were not familiar with the event, be able to learn more about the truth. He also suggested that the film by adopting a classical Hollywood structure in narrative, gave audiences a chance to “experience the roller coaster of emotions that the film bombards the audience within a highly workmanlike fashion”.

Jennie Kermode of Eye For Film shared the relevant ideas that the director didn’t ignore the peaceful and lovely moments besides the violent, panic and horrible scenes, and it created a contrast in emotion and let audience keep shocking or plunge into consideration.
The cinematography in this film gained some more attention. As Chris Sawin argued in ReelRundown, “cinematographer Go Nak-seon adds just the right dynamic qualities to certain shots of the film to intrigue the viewer without taking away from what’s occurring on-screen”. Sheri Linden of The Hollywood Reporter went further that especially in the checkpoint scene and the mountain-road chase scene, the cinematography captured a “metal-on-metal violence” which was exaggerated in a “pastoral backdrop” that made Kim’s decision and reaction more convincing. Sheri Linden also refuted the doubt on the other character Hinzpeter that his emotions might be overplayed in the last act, by evidencing the found footage from the real Hinzpeter by the end of the film, to show the proper performance in the film.
Edeltraut Brahmstaedt, the widow of the German journalist Jürgen Hinzpeter, was to visit Seoul on August 8, 2017. During the visit, Brahmstaedt planned to watch the film based on the true story of her late husband.
On August 13, 2017, South Korea's President Moon Jae-in viewed A Taxi Driver with Edeltraut Brahmstaedt and her family. A Blue House official said, "The movie shows how a foreign reporter's efforts contributed to Korea's democratization, and President Moon saw the film to honor Hinzpeter in respect for what he did for the country." After watching the film, President Moon commented:

Critical reviews

Some people have pointed out the formulaic elements and the weakness they brought to the film. Manfred Selzer of Asian Movie Web argued due to the heavy use of slow-motion, repetitions and soundtrack, some scenes of killing seemed too melodramatic; and the exciting scenes that the taxi chasing on mountain road although were some wonderful action scenes, did not work on well with the narrative, which seemed “out of place in the film and aren’t captured that convincing either”. Another reviewer also discussed about the chase sequence in his WordPress that he considered it took the film “from a historical drama into the realm of fantasy” which is not only ridiculous and unconvincing but also less effective. Furthermore, he critiqued the film as oversimplified, formulaic, and predictable which “paint everything in black and white”.
Simon Abrams of RogerEbert.com argued that Peter was depicted as a stiff supporting role to work for the narrative rather than a vivid character in the story, and each peak moment “feels too neat and schematic” that couldn’t evoke sincere emotion.
Sohing Yin Chan, in his review, questioned whether the emotional wave based on the balanced narrative made between drama and action genre could squeeze the audience’s tear in ethical way; he also believed those emotion are “too detached from all the action.

Box office

According to the Korean Film Council, on the first day of the release, a total of 698,090 tickets were sold, which earned. The film was available on 1,446 screens and was shown 7,068 times across South Korea. By noon on the second day of its run, the film had passed the one million viewer mark.
On the third day, the total audience doubled, attracting two million viewers. The viewer numbers continued to rise as the tickets sale increased to four million by the fourth day.
A Taxi Driver has earned a total of in five days with 4.38 million admissions.
It has tied with and The Battleship Island for the record of films which have surpassed four million viewers in the first five days of release. At the end of the first seven days, the film surpassed 5 million admissions. On the eleventh day since the opening the film recorded more than 7 million viewers.
A Taxi Driver became the most viewed South Korean film in 2017 in less that two weeks since its premiere by attracting more than 8 million audience. By August 15, 2017, it has earned a total of with 9.02 million admissions.
By August 20, in just 19 days since the film was released, A Taxi Driver surpassed 10 million viewers selling 10,068,708 tickets, earning a total of. A Taxi Driver also became the first film of 2017 and the fifteenth Korean film overall to surpass the 10 million milestone. It is also Song Kang-ho's third film to have sold more than 10 million tickets.
The film topped the South Korean box office for three consecutive weekends. By August 28, the film had attracted 11.4 million viewers. According to the film's distributor Showbox, the total attendance of the film surpassed the 12 million mark as of September 9, becoming the tenth most-watched local film of all time in South Korea.

Reactions in China

A Taxi Driver is yet to be released in any form in China, though it received a theatrical release on September 21, 2017 in Hong Kong. The film has received warm responses from users on Chinese movie website Douban, where it had a high user rating. However at around 21:10, October 3, 2017, the film was entirely removed from the Chinese movie portal, the reason possibly being that a number of reviews had compared the film's content to the June Fourth Incident, also known as the 1989 Tiananmen Square protest, which is strictly censored on media in China.

Historical inaccuracies

A Taxi Driver generally shows good accuracy on the memory of Gwangju Uprising, but several historical events depicted in the film are inaccurate and fictional.