A Japanese Tragedy, also known as Tragedy of Japan, is a Japanese filmdirected by Keisuke Kinoshita and released in 1953. Kinoshita interspersed newsreel footage within the film in an attempt to relate the story of the film to the wider context of Japan's post-war difficulties. The film tells the story of a mother, played by Yūko Mochizuki, who had to raise two children during and after World War II but whose children reject her. The film incorporates flashbacks to provide context for the family's present day misunderstandings. For example, the mother, Haruko, gets involved in the black market to provide food for the family, but her son Seiichi only knows that the activity causes him embarrassment at school. The mother leaves the children with their uncle so that she can raise money working as a prostitute, but the uncle treats them cruelly and tells them that their mother is enjoying herself at the Atamihot springs. The flashbacks also show how Haruko was abused by her male clients and was only able to keep going by reminding herself that she needed to do this for her children. The flashbacks also show that the daughter was raped by her cousin. Alexander Jacoby regarded the basic story of the mother and her selfish children to be more "vivid" than the wider context provided by the newsreels. Isolde Standish points out that the newsreels give credence to the "subjective memories" of the characters that are shown in the film's flashback scenes. For example, newsreel footage of American soldiers cavorting with Japanese women foreshadow a flashback scene depicting Haruko's decision to become a prostitute. According to film criticDonald Richie, A Japanese Tragedy was one of the first post-war films to focus on Japanese mothers, as Mikio Naruse's Repast was one of the first to focus on the plight of Japanese wives. Kinoshita won both the Mainichi Film Award and Blue Ribbon Award for best screenplay in 1954. Mochizuki won the 1954 Mainichi Film Award for best actress.
